Reviews

Following their successful debut with “Discord”, QWER are finally back with their newest release “T.B.H“, and they continue to delight with their addictive J-pop-esque sound. Their debut mini album, MANITO, …

BABYMONSTER represents YG Entertainment‘s hope for their next big girl group, and things got off to a rocky start, to say the least. Their “BATTER UP” debut was uninspiring and …

Despite denials that ARTMS would be a group back when the name initially emerged, it is indeed a group consisting of ODD EYE CIRLE plus Haseul and Heejin, the other …

BAE173 have been around since 2020, but their sound had yet to really capture my attention. Enter “Fifty-Fifty“, which seeps with passionate energy but avoids falling into the anti-melodic pitfalls …

CRAVITY have been around since 2020, but despite regular comebacks, they hadn’t yet released a single that really connected with me. Needless to say then, “Love Or Die” left me …

In my belated review of her pre-release track “Think About” (it’s still subtly catchy), I noted that MAMAMOO member Moonbyul had long musically seemed like a jack of all trades …

IU‘s first two singles for her The Winning return were a hit and then a miss, though neither song were in genres that resided in my personal wheelhouse. “Shopper” changes …

In the latest Rundown I alluded to songs I was going to cover later, and well, I decided to do it now. These two tracks sorta encapsulate the high-end of …

After having some time to marinate with NEMOPHILA‘s newest album, EVOLVE, I find that I can’t stop diving back in. K-pop releases since its release have served as a quick …

VANNER debuted back in 2019, but count me among those who didn’t see much reason to take notice until they won on Peak Time. Their redebut with “Performer” was solidly …