It’s been three long years since the release of Ailee’s last album, and even longer since she’s given us something relentlessly uptempo. My favorite Ailee song will always be the …
Read More »[Review] BTS’s “Lights” continues trend of their Japanese releases feeling superfluous
As popular as BTS are around the world, I’m surprised that their Japanese-language material hasn’t felt more essential. For me, the best thing to come out of their J-pop discography …
Read More »[Review] GFRIEND’s “Fever” provides a summer vibe, but is disappointingly generic
GFRIEND had a stellar 2018 by my estimation (and they almost had my best song of the year) and they built on that to begin 2019 with the outstanding “Sunrise”. …
Read More »[Review] Sulli’s whimsical “Goblin” is an effective foil to K-pop’s polish
One of K-pop’s most coveted holy grails is the long-rumored f(x) comeback. Or, maybe it’s more of an urban legend — often discussed, but never actually coming to fruition. Like many …
Read More »[Review] N.Tic’s “Fiction” a generic follow-up to one of last year’s best
Groups of N.Tic’s stature are often overlooked. Without access to the K-pop industry’s best songs, best producers or best anything, it can be hard to deliver a knockout track. Yet, …
Read More »[Review] Purplebeck’s “Crystal Ball” leaves a solid impression
In a year already flush with debuts, it’s going to be hard for smaller agency acts to stand out. In Purplebeck’s case, at least their name is easy to Google! …
Read More »[Review] (G)I-DLE’s retro hip-hop vibe on “Uh-Oh” is better than the song
(G)I-DLE have quickly jumped to the forefront of this generation’s girl group landscape, but that kind of meteoric rise is not without its growing pains. February’s “Senorita” wasn’t as universally …
Read More »[Review] GOT7’s Japanese release “Love Loop” is pleasant but plodding
JYP Entertainment artists must have the most demanding schedules of any K-pop agency. Between Korea and Japan, it feels like they’re just constantly releasing material (GOT7 and Twice, especially). This …
Read More »[Review] “Who Do U Love?” shows different side of Monsta X, though French Montana proved a distraction
With K-pop becoming more global by the year, it makes sense that we’re seeing more acts specifically target Western audiences. BTS have gone about this the right way, refusing to …
Read More »[Review] Chungha elevates the straightforward “Snapping”
Chungha has enjoyed sustained success since her post-IOI solo debut in 2017. With each and every single, I’m surprised by just how long her music stays on the charts. But, …
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